Our desire to experience and improve our outcomes is often the major drive behind our inventions and discoveries. This “want” to satisfy our many senses influences the progression of our culture’s material ages. In this piece, we’ll discuss how materials stack and how our historical material ages act as one big loop of resonance.

Failed expectations, unlikable outcomes, and harsh disappointments. All of these results can set off an intense reformatting in our energy. As makers, this is something we have to deal with on a constant basis, especially when generating more complex objects.

There is a true, clean version of the cultural misnomer, “separate the artist from the art” which we will discuss today. The artist is not their art at any point, but the energy of the art is defined by the artist and we cannot remove that fact.

When we are creating, we are actually operating energy in different directions and molecular shapes. One example of this is when a seed grows into a tree. The seed’s energy shifts and eventually forms the geometric structure of the tree. This is what the generative process is all about.