Welcome to OBSERVATIONS
I have written them from my perspective, and I am sharing these viewpoints in hopes that it will inspire you when researching your own processes of creating, manifesting, forming or making — I refer to this as generating.
These articles can touch on a vast majority of subjects, but all observations will be about the energetic system we all use to generate physicalness and matter.
- Kissey Asplund.
Trends are viral energies, patterns that are active for shorter amounts of time.They are easier to detect when we are detached from them, when some time has passed, or when they do not directly involve us.
When it is time to generate something, our system initiates a “download.” This is where we transfer data from our idea state (timeless) into our physicalness (timebound). There are various ways a download can occur.
Materials. When we generate (create) an idea, we format materials into the shape we seek. This format can be tangible or intangible. In this observation, I will discuss how personal oscillation and our level of resonance frequency impacts our material understanding.
Our desire to experience and improve our outcomes is often the major drive behind our inventions and discoveries. This “want” to satisfy our many senses influences the progression of our culture’s material ages. In this piece, we’ll discuss how materials stack and how our historical material ages act as one big loop of resonance.
Resonance frequencies are essential to our generations (creations) and the true clean definition of “the law of attraction”.
As generators (creators), we strive to live in our most optimal resonance frequency as much as possible.
Our understanding of materials is based on our generative capacity. In this series, ‘A Perspective on Material Evolution and Human Creativity’, we’ll discuss how our cultural understanding of generating energy and our material evolution relate to each other. First out, resonance and oscillation!
Our culture values fake perception the most, but it is also the most worthless asset we have ever made. How others perceive us is the greatest accomplishment according to our culture. This observation discusses the equation of why this is and how to bypass this to empower yourself more.
Love is something that we have innately within us. Despite this, there have been many attempts to define what “true love” feels, how much our heart should palpitate, and how dizzy a romantic encounter should be. We’ve had millions of relationship experiences and here we are in the 21st century, still inquiring and lusting for love’s true sensation.
Editing is a skill that we all possess. We use this ability in all aspects of life; not only in art, music, and design;but also in conversation, the way we dress, buy groceries, make trades, formulate skincare products, code and so on. Our main target when editing is to achieve utmost balance — we accomplish this by asking 3 questions.
We tend to get the most entangled with the things we want the least. When we push against something, we often energetically produce more suction towards it. This may seem upside down, but, when we take a look at how energy works — it actually makes a lot of sense.
Failed expectations, unlikable outcomes, and harsh disappointments. All of these results can set off an intense reformatting in our energy. As makers, this is something we have to deal with on a constant basis, especially when generating more complex objects.
There is a true, clean version of the cultural misnomer, “separate the artist from the art” which we will discuss today. The artist is not their art at any point, but the energy of the art is defined by the artist and we cannot remove that fact.
We often think that we have to bash another’s success in order to achieve our own. What if I revealed to you that participating in and enjoying other people’s success as an observer, actually makes you more successful at generating what you want for yourself.